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We’ve updated our Terms of Use. You can review the changes here.

haute sph​è​re

by Mecha Fixes Clocks

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about

Cinquième disque de Mecha Fixes Clocks.
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Fifth recorded production by Mecha Fixes Clocks.

Rien à signaler sinon que Glissement progressif du référentiel de prédiction est un hommage à 1, 2, 1-2-3-4, composition de Gavin Bryars (1971) qui eut une influence déterminante.

credits

released December 25, 2020

Alessandro Garino :: piano, Wurlitzer, Fender Rhodes
Alexandre St-Onge :: basse électrique, électronique
Bernard Falaise :: guitare électrique
Catherine Tardif :: chant
Chittakone Baccam :: Pocket Piano, chant, delay/reverb, amalgame de fils
Diane Labrosse :: accordéon, Wurlitzer, ukulélé
Guido Del Fabbro :: violon
Jean René :: alto
Joane Hétu :: petits instruments, chant
Martin Tétreault :: tourne-disque, électronique
Michel f Côté :: batterie amplifiée, feedback, direction musicale
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Enregistrement :: Studio 270 (18-02-2019)
Prise de son :: Robert Langlois
Mixage, matriçage et production :: mfc
Pochette :: mfc & Fabrizio Gilardino

Released on Sono Sordo

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all rights reserved

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about

Michel F Côté Montreal, Québec

A ubiquitous artist, Michel F Côté works a great deal for theatre and dance projects, making him a prolific musical designer. He his the co-artistic director of the dance company Et Marianne et Simon. We can find him backing up these acts: Mecha Fixes Clocks, Klaxon Gueule, Pink Saliva, Jane & the magick bananas, and Tiari Kese – a duo with himself. ... more

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